Anya Marina

A murderous girl with a spine of steel. An asteroid hurtling toward a ruminating woman. Shards of glass leading to a dark, friendly place. 

Welcome to the provocative vision of singer-songwriter Anya Marina’s stunning new album Asteroid, her most assured work yet. Almost two decades into a distinctive career encompassing songs featured in Twilight: New Moon, Gossip Girl, and Grey’s Anatomy, an award-winning web series (Anya Marina: Indie-pendent Woman), seven albums, three EPs, and extensive touring with artists ranging from Jason Mraz to Spoon to superstar standup Nikki Glaser, the riveting performer / creative powerhouse is looking back, taking stock in song. Marina calls Asteroid “a coming-of-age story about a late bloomer. This record is about growing up, becoming fully who I am, and celebrating it.”

Most of Asteroid came fast on the heels of Marina’s relocation to the Hudson Valley. What she describes as “melodies that sound like strange Disney album B-sides, or bizzarro cousins of cabaret, classical music, Bossa nova, or jazz,” arrived quickly, “like tuning into a faraway frequency on a radio dial.” 

Whereas Marina’s previous studio release Queen of the Night (2020) was recorded piecemeal over months and featured layers of synthetic sound, Asteroid came together quickly, mostly in the Woodstock, NY barn studio of producer / guitarist Kevin Salem (Rachael Yamagata, Mike Doughty), who favors a more organic, spare approach.  

The deft humor in much of Asteroid is no accident. Opening for friend and former roommate, comedian Nikki Glaser, has made a big difference in Marina’s life, both personally and artistically. “Opening for Nikki has made me a better performer and songwriter,” Marina says. “I’ve learned to crystallize things better, get to the point. Playing to 2,000 comedy fans can be very daunting. It will whip you into shape fast. I love it.”

With Asteroid, Marina feels comfortable in her own skin at last, excited to begin again. “Something about these songs feels young,” she says. “I’m finally learning how to take care of myself, how to say no to certain things, how to be more involved in the recording process. I wanted to make the album of my life. And I’ve done that, hands down.”

 —Robert Burke Warren